++ I be playing Friday night from 2-3am @ the Cosmic Café stage, throwing down deep acid techno to shake the spirits of the Callaghan ++

== mixed by ==

ION STORM broadcasts interstellar techno, future house & offworld ambient from the vaults of TOBIAS.DJ. Prepare your space voyage with occult sounds drawn from 20+ years as a technoculture catalyst and turntablist. The mission — to invade consensus reality with an all-out assault of alien frequencies. Some sex in zero gravity included. Occasional interplanetary guests from the technosphere and label [ ].


1 Maybe I’ll drive back into these weird holes. Hunter S. Thompson The Gonzo Tapes: More Fear & Loathing in Las Vegas (Disc Three)
2 Keep Thorough (Iron Galaxy Remix) Locked Groove Keep Thorough EP [TURBO 147]
3 Michigan Ride Technasia Heart Of Flesh [CADENZA 78]
4 Let It Snow Martin Landsky Ekko Traxx [POKER FLAT 138]
5 Subliminal Warp Drive Traversable Wormhole Traversable Wormhole Vol 6-10 [CLR CD012]
6 Lustration Tree (Atlantic) Mike Parker Lustrations [PROLOGUE LP 04]
7 Early Glow Marcel Fengler Playground / Early Glow [OSTGUT TON 09]
8 Metal Works Ben Sims & Kirk Degiorgio Machine Theme [MACHINE 001]
9 Present Hypersurface Traversable Wormhole Traversable Wormhole Vol 6-10 [CLR CD012]
10 Dormancy Survivors Lucy, Silent Servant History Survivors [MOTE-EVOLVER 034]
11 lifesigns pt. 1 Johannes Heil Lifesigns EP [FIGURE 044]
12 Freeze Tobias. Freeze [OSTGUT TON057]
13 Waterfall (Birth) Rrose Waterfall Variations [EAUX 491]
14 Translation One Marcel Dettmann Translation EP [OSTGUT TON 052]
15 Mico Jonas Kopp Ruda EP [CURLE 029]
16 Roses (Terranova Mix) Michael Mayer Mantasy Remixe 3 [KOMPAKT 273]
17 Evolution (Samuel L Session Calling D Mix) Mikael Jonasson Evolution [PHOBIQ 013]
18 Proteus 81 Jonas Kopp Reforce [DEEPLY ROOTED HOUSE 040]
19 Program 1 (Len Faki DJ-Edit) JPLS DJ-Edits Volume 2 [FIGURE 45]
20 No Body (Machinedrum Remix) Barker & Baumecker Remixes [OSTGUT TON]
21 Atavistic Resurgence The Black Dog Tranklements [DUST SCIENCE 038]
22 Any Other Rework Touch EP [VISIONQUEST 029]
23 Black Technician (UR Mad Mike Remix) Robert Hood Black Technician (UR Mad Mike Remixes) [MUSIC MAN 167]
24 Looking Ahead Architectural Berghain 06 [OSTGUT TON CD23]
25 OAR003-A Oni Ayhun OAR 003
26 Mekong Delta Len Faki Rainbow Delta / Mekong Delta [OSTGUT TON 04]
27 25 Hours DJ Hyperactive 25 Hours [DROID 017]

lost in a bc forest (1997)


lost in a bc forest


Vancouver is a peculiar place: its geography offers many different kinds of spaces for intervention and occupation. While warehouses dot its ports and industrial outlands, the city itself is surrounded by ocean, forest, and mountains. Logging roads snake up through thickly forested valleys. Waterbars and potholes bar access. Forging on means losing site of urban civilization. In these curious pockets, rave culture thrived. Many of the best raves were held far up these dirt roads, among trees and glacier-fed rivers. Occasionally, curious locals would arrive, drunk and confrontational, in pick-ups and ATVs. The best trick was to seduce them with Colt .45, spiked with a bit of pharmacology designed to endear the mind to new experiences. Conversions happened. People’s lives were changed.

This set was recorded at one such event in July, 1997. A small, but intense affair, a nameless event. I felt I had not yet mastered my skills, which was true: I could not yet replicate in live situations the consistency of mixing I was able to sustain in the studio. Sets were hit or miss; but either way, they were inspired, and a certain kind of raver — one given over to wild abandon, to giving oneself up to the noise — liked what I was doing. Unlike many other DJs of the era, I was fearless — or some would say, ignorant of the dancefloor. It was not that I didn’t care whether my experiments failed or not — I most certainly did care — but I felt that the passion of the mix, its intensity, mattered more than its perfection. I was interested in quarter-beats and chaotic, helicopter mixes; I desired speed and fury, and I rarely, if ever, planned out the order of my records beyond a track or two. These were techniques and strategies which also interested Mills and Hawtin. But I hadn’t yet trained myself to moderate headphone and monitoring volume — it took years to focus upon lower-volume mixing — so my ears fatigued quickly. These were all lessons learned, over time. But what remains is my first duplicated mix, part of a series I called Not-So-Perfect Mixtapes, of which this is volume 2. On the front cover is a clip-art GIF of a red Coleman lantern — a common source of light for backcountry endeavours of acid-fuelled stargazing and ritual dance debauchery.
May 2012